Rachika Nayar’s Heaven Come Crashing is an instrumental epic of desperate longing
Two minutes and thirty seconds into the title track of Rachika Nayar's Heaven Come Crashing , an absolutely massive drum and bass beat drops. As a fan of Nayar's debut record Our Hands Against The Dusk , it caught me off guard. That album has no percussion on it at all. Heaven Comes Crashing is almost entirely drum-free, too. There are some rapid-fire mechanical hi-hats on the second track, "Tetramorph," and the back half of track six, "Gayatri," has what sounds like a snare buried deep in the mix. But it isn't until track seven that Nayar delivers an unexpected drum explosion, before immediately retreating to the soothing wash of "Sleepless," … Read the full story at The Verge. from The Verge https://ift.tt/TxSkncG